Design and Construction of the Museum of Acropolis

Since the 1970s, the Museum of Acropolis could non get by satisfactorily with the blown-up crowds of visitants.The lack of infinite caused jobs and downgraded the sense that it was achieved by the exposure of chef-doeuvres from the Acropolis Rock.Apart from the fact that the bing museum was deemed wanting(p) to house and expose the celebrated findings of the Acropolis, it could non expose wholly the sculptures that were needfully locomote from their place for the c atomic number 18 work.For all these grounds, two architectural am collationions took topographic exhibit in 1976 and 1979, but without success. On March 12Thursday, 1989, Melina Mercouri initiated an inter issue design competition that as Minister of Culture inextricably identified her policy with the take on for the return of the Elgin Parthenon Marbles from the British Museum. This competition was canceled after the disclosure of a big residential country at Makriyianni site, dating from Prehistoric to twisting times. The digging should be included in the New Museum.Bernard Tschumi faced a immense scrap, when he won the competition for the Acropolis Museum in Athens and he was called to plan a modern landmark for the metropolis. Greece had been fighting to go parcel out of Europe in all possible ways ( semipolitically, paganly, etc. ) since the 70s, and that museum would be the tribal chief ally to certify up this end.Grecian political remains had since the really get downing focused its attempts on puting up a state that expresses the ideals of a European cultural heritage. The efforts to suit in the occidental guild had started since the terminal of nineteenth century, after the declaration of independency from the comforter Empire, and during the period that followed there was a changeless attempt discard all the residues of East civilization. The purpose was to repossess the superannuated yesteryear alternatively, and define national individuality and civilisation on that po rtion of history. Therefore, the remains of the Grecian antediluvian patriarchness became really of consequence in the defining of the province and society.The Museum of Acropolis is a political tilt of Greece and an instrument for Grecian authorities to send on to horse opera society a new national individuality. This is an individuality that promotes Grecian ancient heritage and preserves it in a high tech twenty-first century shell. Those elements combined, organize a clear position of how Grecian society wants to be perceived today. The purpose is to organize an substructure of equal determine with Western Europe, of rich cultural civilisation and high engineering resources which atomic number 18 demonstrated on Tschumi s museum. At this phase the writer would inclination to clear up that this is an attempt to interpret and analyse the new Museum of Acropolis, non aesthetically and even more non from a personal point of position, but as a political and cultural statement of what Greek society is seeking to reflect and advance of Greece in the twenty-first century, to western Europe and globally. probatory locationThe site of New Acropolis Museum is the edifice block surrounded by Dionysius Areopagite, Makriyannis, Chatzichristou and Mitseon roads. As a consequence, visitants while researching the archeological sites of the environing countries argon of course steer towards the museum, and unconsciously experience a connexion in the midst of the antediluvian and modern Greece.The land of the site has a smooth incline, about 8 % downward to the South, and portion of its surface is subvented by public edifices, which due to its historical, architectural and morphological involvement have identified as monumental by the Ministry of Culture.Three architectural parametric quantities reverse the restrictions of the site, in a challenge to make a simple and precise museum uncovering the mathematical and straightforward lucidity of ancient Greece the L ight, the Movement and the Structure of the edifice.More than any separate type of museums, the information of the new Archaeological Museum of Acropolis ar al-Qaedad virtually the visible radiation. It is chiefly a museum of natural visible radiation with the important intent of the presence of sculpture .The three chief stuffs of the museum isglass,which is used generally for frontages and some floors,concretefor the nucleus and columns andmarblefor some floors. The columns of the E and West facade and the Parthenon impulsion have been constructed from steel.There is a harmoniousness of proportion between the calibrated table of the infinite that leads to the edifice and the receive table of the edifice itself. alike graduated tables of emptiness and of non-emptiness argon developed in two axes, unrivaled horizontal and one vertical. If the edifice was losing the journey to the entryway, the whole feeling of the museum and specially the first reaction to it, would be diametrically opposite. Now the visitant is brisk easy and phased into a whole experience which starts before come ining the museum. massive graduated tableThere is a relationship of volume between the New Museum of Acropolis and the Parthenon which is really noticeable when reading the site program, every bit good as when populating the part. In an country where the graduated table of environing edifices is ofttimes smaller, as the site is located in a domestic zone, those are the lone two elements that stand out, which both are of monumental graduated table.The ocular relationship to the Parthenon and the landscapeOn the degree between the roman type period exhibition and the Parthenon s Gallery there is a communal infinite which includes a bookstore and a dining country. Right in straw man of the eating house a canopy unfolds, which is supported by powerful columns that define the chief entryway placed right below. The canopy extends from the edifice towards the antediluv ian Rock of Acropolis.The position from the eating house s balcony to the Parthenon is partially blocked because of two neoclassical edifices that stand in forepart of the museum. Tchumi s planning includes the destruction of those which has caused a great field of object for designers and critics in Greece. Some argue that the canopy is absolutely positioned as if to dog pound into the demolition-endangered abodes and so onto the stone of the Acropolis itself as Dr Alexandra Stara says in the Architectural Review, no. 1348, June 2009. any(prenominal) solution to this quandary will be harmful merely to architectural creative act. If the two preserved neoclassical edifices in Aeropagitou Street are demolished, Athens will lose two great pieces of its architectural heritage. If they are non, Tschumi s coveted contradictions will non take topographic point and his computer architecture will non be completed.The portion of the museum that contains the most obvious political and cult ural statement is the Parthenon gallery. It was a vision by Melina Merkouri, Greek actress and politician ( chief female Minister for Culture of Greece ) , who was the first individual to claim back the Parthenon stain from the British authorities. Her dream was that the most impressive room of the new museum of Acropolis should remain empty until the marbles go back to Greece. The creative activity of this gallery opens once more the conversation between United estate and Greece for the return of the marbles.The Parthenon Gallery is a representation of the temple including a big rectangular infinite where the carved marble panels that decorated the original are exposed. The marbles face the issue of heterotopia ( malposition or supplanting of a bodily organ ) , and the Parthenon gallery is designed by the designer with an perspicuous purpose to make similar fortunes between the topographic point of displaced marbles and the existent location where they used to be displayed one t ime.CostThe construction of the to a lower placetaking started at a cost of 130 gazillion in November 2004, and it was completed within the period of three old ages. The Ministry of Culture continue its most of import work the exposure of valuable and invaluable exhibits. The transportation system of major exhibits to the museum began in the fall of 2008 and it was completed in May 2009. On June 20th, 2009 the Museum opened its Gatess to the citizens of the universe.Within one twelvemonth from the bright gap 24 hours, the new Acropolis Museum has made great feeling, with the figure of visitants making two million. However, it has large issues much(prenominal) as non secured a fiscal independency, legislative acts and assortment of merchandises in the museum store.Harmonizing to Mr. D. Pantermalis, film director of the Construction of the New Acropolis Museum and subsequently Director of the Museum itself, The Acropolis Museum as a self-funded organisation is confronting fisc al jobs which struggles to be solves. With about 5.5 million income, the museum needs to cover the wages of 90 95 % of the staff and functional costs such as electricity, gas etc. which is about 1 Euros. As the Director of the Museum provinces, the economic crisis requires flexibleness and thoughtful version to enable the Museum to travel in front.Due to the economic crisis and the debt haircut the assets of the Museum have been reduced by 3 million Euros and among other things, this caused a long hold to the digging at the base of the Museum, something that its pending for the hereafter.DecisionsThe whole museum is a statement, a changeless statement of the coexistence of antediluvian with modern-day Greece. Tshcumi s design makes the visitant experience a portion of a monumental piece of architecture, of import and alone, about as the Parthenon.This edifice offers Greece a new national individuality. It demonstrates and promotes what Greece is most proud of, the ancient Grecian c ivilisation. And all this is placed in one of the most of import technological accomplishments of our times.But the inquiry that remains is if the museum still expresses the same significances under the current economic crisis that Greece is traveling through.Mentionshypertext delight communications protocol //www.theacropolismuseum.gr/hypertext tape drive protocol //www.greekarchitects.gr/en/architectural-review/the-new-acropolis-museum-a-triumph-of-sophistry-id2431hypertext transfer protocol //en.wikipedia.org/wiki/Acropolis_Museumhypertext transfer protocol //tschumi.com/projects/2/hypertext transfer protocol //www.archdaily.com/61898/new-acropolis-museum-bernard-tschumi-architects/hypertext transfer protocol //www.arcspace.com/features/bernard-tschumi-architects/new-acropolis-museum/hypertext transfer protocol //www.melinamercourifoundation.org.gr/index.php? option=com_content & A view=article & A id=62 & A Itemid=114 & A lang=enhypertext transfer protocol //www.theparliam ent.com/latest-news/article/newsarticle/eu-funding-for-new-acropolis-museum-branded-inappropriate/ .UxzcK_l_uRYhypertext transfer protocol //www.youtube.com/watch? v=B6Ca21dCmhIImages