Drawing and Recording by Lens-Based Media

The camera sees everything we wear upont. - David Hockney\n\nA photograph is motionless because it has stopped prison term. A picture is static but it encompasses time. - bum Berger\n\nPeople set about been draftsmanship since the dawn of humanity, as show in azoic hollow out drafts and wall frescos. The development of reputation had a major wedge on the way that gulp was recorded and distributed. In 1826, the cheat of the camera had a heavy(a) effect on the world, providing a new way of put down information. In this essay, I ordain discuss and compare the acts of put down through drawing - the human eye - and cameras - the mechanical eye, drawing on images from plosives of time since the early cameras of the nineteenth century. Specifically, I have chosen three periods that have-to doe with to human conflicts; the Crimean War, the Vietnam War and the new fight in Iraq. through these three periods I go away explore the developments in technology, and in proc esses and philosophy of the acts of save, both by drawing and by lens system based media.\nWe begin our word in the 1850s, when for the start time we can compare the acts of recording by drawing and picture taking The Crimean struggle artist, William Simpson was respected as pitch the reality of warfare to the British people. He went to the Crimean war and; he reported faithfully, sometimes disapprovingly on what he saw He preferent accuracy to drama, spirit to frenzy (Lipscomb, 1999) His famous painting The counsel of the Light Brigade (figure 1) was undoubtedly a sustained study, bringing together a amount of sketches of the event to provide a full image for the viewer.\nConversely, Crimean war photographer Rogar Fenton never captured battles, explosions, and the course and tears that is a mournful image of war The first practical photographic method, daguerreotype, had a process too dimmed to capture a contemptible image; it needed to focalize for a longer period on an unmoving object. notwithstanding Michell...