Nora\'s Transformation - Child to Adult

The worldness famous play, A hisss House, by Henrik Ibsen, is bear on upon the injustices women faced in society, and more than(prenominal) specifically within their marri get alongs during the nineteenth century. To portray that era, Ibsens play, focuses on the subordinate role that, Nora Helmer, the briny character, plays compared to that of her husband. Nora, like all wives of the time, lived a life revolving around her husbands. His views, beliefs, and regulates, were mechanically hers with no argument or second-guessing. From a young age she embraced this role in society. However, as the play progresses and the story evolves, so does she. Over the course of a holiday weekend, and the three acts in the play, Noras character goes from being a doll sister and doll wife, to a strong, autarkical woman. Nora acts childishly in the scratch act, contemplates intensely in the second, and achieves a priceless sense of honesty during the finale act of the play.\nIn Act one, Nor a tries hard to honour with the social rules to act as a good wife, have and daughter (Wong). However, in the meantime, Nora shows her cardinal desire to be an individual, and more importantly her childlike characteristics, threw acts of rebelliousness and carelessness. Torvald, Noras husband, imposes rules for which she is to follow. Instead of being an adult and addressing her concerns about and then rules, she simply breaks them behind his back, as a child is accustomed to doing. For instance, Nora is forbidden to eat macaroons, scarce does so any way. When this occurs, Torvald asks her is she has, been nibbling sweets, to which she replies wholeheartedly, No, sure non/ I should not think of going against your wishes (Ibsen). This ingest of a macaroon portrays her childlike qualities in two separate ways. For one, she surrendered to Torvald by allowing such a affaire become a rule in the first place, eventually showing her lack of enamor or desire to patronise up fo r her belie...